on other RCA classic film albums during the early 1970s. At the end of the film, his theme is played fully in major chords and finishes by abruptly ending the chord as the film terminates (this was an unusual film music practice in Hollywood at the time). 5 When the film was released, it was the longest film score ever composed, nearly three hours. 7 :59,66 Tony Thomas cited Steiner's last few scores as, "a weak coda to a mighty career". Steiner was criticized for this technique as the awareness of the film music can ruin the narrative illusion of the film.
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Hollywood were unavailable, Steiner composed his first film score for Cimarron. 20 Steiner often followed his instincts and his own reasoning in creating film scores. For example, when the ship sails into Skull Island, Steiner keeps the music calm and quiet with a small amount of texture in the harps to help characterize the ship as it cautiously moves through the misty waters. A b c d e Cooke, Mervyn. A b c d e f g h Cooke, Mervyn,. Lee Library, Brigham Young University. He added musical touches to significant scenes. New York: Oxford University Press.